Radio World

Fig. 1: Pop the cap on the condensate drain and use a flexible bottle brush to clean it out.

Before it starts to get too hot, now is a good time to check your cooling systems — both at the transmitter and for the studio and rack room. 

Studio air handlers can be wedged above the actual studio or technical operations center, which can be a nightmare should the condensate drain get clogged with algae and then overflow. 

Whether you do the maintenance yourself or you contract an HVAC company, schedule it now. 

If you’re doing the work, remove the PVC cleanout cap atop the drain trap (shown in Fig. 1). With a bottle brush — buy one in the housewares/kitchen supply section of a grocery store — clean out the trap. Pour clean water down the trap as you go to speed the process. After cleaning, store the bottle brush next to the condensate drain, so it will be handy next time.

Once the trap is clean, I’ve seen some HVAC techs pour a little bleach into the drain. The big box stores sell an alternative, Air Conditioner Drain Pan Tablets. These tablets are placed in the drain pan and last about a month. Their chemical makeup prevents the buildup of algae, slime and scale, keeping the drain clear. Two hundred tablets run about $30; smaller quantities are available for about $1/tablet. 

We write a lot about redundancy. In a large transmitter building, your cooling backup may consist of a second air conditioner. An alternative is forced air cooling, as pictured in Fig. 2, should the air conditioning fail.

Fig. 2: High-efficiency filters combined with a louvered air intake can keep a transmitter site cool, should the air conditioning fail.

An air vent, even if it’s filtered, would defeat the job the air conditioning does, so adding motorized louvers is recommended. As shown in Fig. 3, the louvers are controlled by a thermostat, which drives a motor to open them when high temperature is detected. You’ll probably need to remove the air filters to inspect the operation of this seldom-used backup system. Maintenance includes lubricating the linkage that controls the louvers, and watching for smooth operation as the louvers open and close. 

Fig. 3: Inspect the thermostat, motors and linkage that open and close the louvers on your backup air system.

If you’re not using high-efficiency air filters, as in Fig. 2, consider doing so; they’re worth the extra cost. We don’t get to transmitter sites as often as we used to, and these filters will keep your equipment cleaner. While you’re at it, measure the filter sizes of your transmitters and convert them to the higher-efficiency filters as well. 

You can reduce cost by buying in bulk. Once you have your filter sizes, search online for bulk air filters. Of course, Amazon sells a variety, but also check acFilters4Less.com; they offer free shipping.

We’ve mentioned this before but it bears repeating: With so many sites to cover, keeping track of the filter change dates can be difficult. With a Sharpie-type permanent marker, write the date of install on the new filters. Depending on the local conditions, plan on inspecting their condition every month and replacing as needed. Most sites can get by with a quarterly filter change.

You’ll find a variety of air conditioning maintenance videos online — just search for air conditioning maintenance.

***

Veteran San Francisco contract and projects engineer Bill Ruck enjoyed reading Frank Hertel’s tips regarding rodent control in transmitter buildings. Bill adds two things.

First, regarding rat poison. A poisoned rodent goes looking for water and may die outside. The body is then eaten by one of their natural predators, and the poison kills the predator. Natural predators like coyotes and raptors control rodents for free, so think hard about the effects of using poison. 

Engineers will find this useful: Bill’s wife Siobhan shared a website called R.A.T.S., which stands for Raptors Are The Solution. Their home page www.raptorsarethesolution.org encourages you not to use toxins for controlling rodents. As you will read, poison not only kills birds of prey, but also dogs and cats.

Consider alternatives.

If you feel it necessary to kill rodents, Bill suggests snap traps. Bill is one of many volunteers at the KPH Project, the Maritime Radio Historical Society. The National Park Service, which owns the society’s sites, prohibits the use of poison, so Bill says they had to seek out alternatives. They have found that electric traps also work well, especially for larger rodents.

 Bill’s second point refers to airborne disease. He says Frank was lucky that he only got a bacterial infection and not Hantavirus after his rodent experience.

There is no cure for Hanta, and the mortality rate is 38%. Keep that in mind if you encounter a site littered with mouse droppings. 

Bill offers a suggestion when cleaning up mouse droppings: First, wet them down with a dilute chlorine bleach solution. It’s best to wear a respirator. Then, wear gloves and use paper towels to clean up the mess. Dispose of the used towels carefully, preferably in a plastic bag that you seal.

There’s useful information about Hantavirus on Wikipedia and the Centers for Disease Control. He also recommends a PDF from the CDC. It explains Hantavirus, how it’s spread and safe procedures to clean up, should you encounter a rodent infestation.

Bill concludes that the best overall long-term solution for mice infestations is to follow Frank’s tips for prevention, especially never leaving any food or drinks or anything that smells of food (like fast food wrappers) in your transmitter building. Practice good housekeeping.

John Bisset has spent over 50 years in the broadcasting industry and is still learning. He handles western U.S. radio sales for the Telos Alliance. He holds CPBE certification with the Society of Broadcast Engineers and is a past recipient of the SBE’s Educator of the Year Award.

The post It’s Time To Inspect That Air Conditioner appeared first on Radio World.

For the millions who are stuck at home, the National Recording Registry has a few new suggestions on how to inspire nostalgia or arouse baseball fervor — and much of it came to you through your radio.

The U.S. Library of Congress recently named more than two dozen recordings as national aural treasures worthy of preservation because of their cultural, historical and aesthetic importance to the nation’s recorded sound heritage.

What makes that list? The opening melody from “Mister Rogers’ Neighborhood;” the thrilling play-by-play of the 1951 National League tiebreaker between the New York Giants and the Brooklyn Dodgers and even the Village People’s international dance anthem “Y.M.C.A.” Those are among the newest recordings recently inducted into the National Recording Registry of the Library of Congress.

“The National Recording Registry is the evolving playlist of the American soundscape. It reflects moments in history captured through the voices and sounds of the time,” said Librarian of Congress Carla Hayden. The library received more than 800 nominations this year.

Under the terms of the National Recording Preservation Act of 2000, the librarian, with advice from the Library’s National Recording Preservation Board (NRPB), is tasked with annually selecting 25 titles that are for culturally, historically or aesthetically significant and are at least 10 years old. The new recordings bring the total number of titles on the registry to 550, a small part of the Library’s vast recorded-sound collection of nearly three million items.

Of the different genres and formats, listeners can find old radio sportscasts, classical recordings, jazz music and songs so knowable that it only takes a few notes to decipher its origin — take, for example, the disco hit “Y.M.C.A.” The new group of recordings also include the vibrant 2008 “Percussion Concerto” album and Dr. Dre’s debut studio album “The Chronic” (1992). Other selections include the 1920 jazz swing “Whispering” by Paul Whiteman and his Orchestra; Puccini’s “Tosca,” performed by Maria Callas; and the first commercial digital recording of symphonic music in the United States by the Cleveland Symphonic Winds. Several recordings on the list were made by some of America’s female changemakers, including Memphis Minnie, one of the most popular female country blues singers of all time and her single “Me and My Chauffeur Blues,” which was recorded in 1941.

Also on the list: comedy radio classics. Allan Sherman’s comedy classic from 1963, “Hello Muddah, Hello Fadduh” made the registry this year, a fact that would have astonished its author, said Sherman’s son, Robert Sherman. “It’s still something that people care, sing about. It would have amazed my father, 50-plus years since he wrote it.” Other ’60s classics include the original version of “Wichita Lineman,” written by Jimmy Webb and recorded by country music singer Glen Campbell in 1968.

Recordings of several radio broadcasts made the list too: an episode of “Arch Oboler’s Plays,” one of the earliest American old-time horror radio programs, and the announcement of the assassination of Pres. John F. Kennedy made by the Boston Symphony Orchestra conductor during the recording of a live performance on Nov. 22, 1963.

And lest we forget the appeal of our nation’s pastime, the Library of Congress selected Russ Hodges’ call of the 1951 National League tiebreaker between the New York Giants and Brooklyn Dodgers.

In that game, the Giants were down two runs in the bottom of the ninth inning of the final game of the three-game playoff. Ralph Branca was pitching for the Dodgers, Bobby Thomson came to bat, and Willie Mays was on deck.

“Ralph was a good, good pitcher. Didn’t have a real good curve but a good fastball,” the legendary Mays said to the Library of Congress. “And he placed it a lot, so I thought they would do the same thing with Bobby. Walk him and pitch to me because they knew that was my first year.”

They didn’t. Instead, Thomson hit a walk-off home run — the “Shot Heard ’Round the World” — and gave the Giants one of the most dramatic victories in baseball history.

Registry titles are preserved at the Library of Congress Packard Campus for Audio Visual Conservation, a facility with more than 7 million collection items where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts and sound recordings.

Here are two well-known recordings that made the list.

The 1951 National League Tiebreaker: New York Giants vs. Brooklyn Dodgers — Russ Hodges, announcer (Oct. 3, 1951)

In 1951, the New York Giants won 37 of their final 44 games to catch their crosstown rival Brooklyn Dodgers, forcing a three-game playoff for the National League pennant. The teams split the first two games, setting up the decisive tiebreaker at the famed Polo Grounds. In the bottom of the ninth inning, the Dodgers led 4 to 1. The Giants had scored a run and had runners at second and third with one out when third baseman Bobby Thomson stepped into the batter’s box. Ralph Branca’s first pitch was a called strike. As he released his next pitch, Giants announcer Russ Hodges said, “Branca throws…” and then shouted, “There’s a long drive. It’s gonna be, I believe — the Giants win the pennant! The Giants win the pennant! The Giants win the pennant! The Giants win the pennant!” This game was actually covered by several legendary announcers, including Hodges (Giants radio), Ernie Harwell (Giants TV), Red Barber (Dodgers radio) and Gordon McLendon (the national broadcast). But it is Hodges’ call that is most remembered and which so vividly captures not only the action on the field but also the excitement of the moment — truly the thrill of victory and one of the greatest calls in all of sportscasting.

WGBH broadcast of the Boston Symphony on the day of the John F. Kennedy Assassination, Boston Symphony Orchestra (1963)

The ageless adage of “drawing comfort through music” had never been more thoroughly tested than on the scheduled afternoon broadcast of the Boston Symphony, with its conductor Erich Leinsdorf, on Nov. 22, 1963. That day, just after concluding Handel’s Concerto Grosso in B flat major and a second short piece, Leinsdorf was forced to break with normal concert protocol and, stoically, address the large audience with a change of program and to share the tragic news of Pres. Kennedy having been killed in Dallas only minutes before. For those in the audience and thousands more listening to the broadcast over the radio, it was their first news of the president’s assassination. In the hall, and over the airwaves, shock and gasps rang out. As everyone in the hall — including the musicians — processed this news, the sheet music for the “Funeral March” from Beethoven’s 3rd symphony was distributed to the orchestra, which bravely performed. The next day, Margo Miller of the Boston Globe reported, “The ‘Eroica’ marcia funebre is one of the great moments in music. The dread beat of the march cannot be disguised. Yet there is a middle section of the movement, a time of incredible energy and involvement, somehow, or so it seemed Friday, expressing eternal hope.”

Final List — 2019 National Recording Registry

“Whispering” (single), Paul Whiteman and his Orchestra (1920)
“Protesta per Sacco e Vanzetti,” Compagnia Columbia; “Sacco e Vanzetti,” Raoul Romito (1927)
“La Chicharronera” (single), Narciso Martinez and Santiago Almeida (1936)
“Arch Oboler’s Plays” episode “The Bathysphere.” (Nov. 18, 1939)
“Me and My Chauffeur Blues” (single), Memphis Minnie (1941)
The 1951 National League tiebreaker: New York Giants vs. Brooklyn Dodgers — Russ Hodges, announcer (Oct. 3, 1951)
Puccini’s “Tosca” (album), Maria Callas, Giuseppe di Stefano, Angelo Mercuriali, Tito Gobbi, Melchiorre Luise, Dario Caselli, Victor de Sabata (1953)
“Hello Muddah, Hello Fadduh” (single), Allan Sherman (1963)
WGBH broadcast of the Boston Symphony on the day of the John F. Kennedy assassination, Boston Symphony Orchestra (1963)
“Fiddler on the Roof” (album), original Broadway cast (1964)
“Make the World Go Away” (single), Eddy Arnold (1965)
Hiromi Lorraine Sakata Collection of Afghan Traditional Music (1966–67; 1971–73)
“Wichita Lineman” (single), Glen Campbell (1968)
“Dusty in Memphis” (album), Dusty Springfield (1969)
“Mister Rogers Sings 21 Favorite Songs From ‘Mister Rogers’ Neighborhood’ ” (album), Fred Rogers (1973)
“Cheap Trick at Budokan” (album), Cheap Trick (1978)
Holst: Suite No. 1 in E-Flat, Suite No. 2 in F / Handel: Music for the Royal Fireworks / Bach: Fantasia in G (Special Edition Audiophile Pressing album), Frederick Fennell and the Cleveland Symphonic Winds (1978)
“Y.M.C.A.” (single), Village People (1978)
“A Feather on the Breath of God” (album), Gothic Voices; Christopher Page, conductor; Hildegard von Bingen, composer (1982)
“Private Dancer” (album), Tina Turner (1984)
“Ven Conmigo” (album), Selena (1990)
“The Chronic” (album), Dr. Dre (1992)
“I Will Always Love You” (single), Whitney Houston (1992)
“Concert in the Garden” (album), Maria Schneider Orchestra (2004)
“Percussion Concerto” (album), Colin Currie (2008)

 

The post Registry Highlights the Sounds We Love to Hear appeared first on Radio World.

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

Many cities and states are reaching the conclusion of their stay-at-home period. Whether that period is extended or not, community radio stations need to start planning what they will and need to do when their communities reopen.

Virtually every community radio station has been affected in some way by the coronavirus. From complete switches to automation systems to staggering staff and volunteer presence for health and safety, community radio has had to adapt during this extraordinary time. Our programming and community service have been impacted. And, though we all crave getting back to what we love to do, community radio stations have to be especially diligent, considering their many constituents, volunteers and donors.

Pres. Trump has said in recent press statements that he intends to defer to the states, though he’s also expressed his desire to restart the economy amid growing unemployment. Many states indicate they will approach the reopening of businesses and public spaces with caution.

[Read: Community Broadcaster: Tips for Better Home Recordings]

How will community media organizations that have been on reduced operating and programming capacity return to normal operations?

You should strongly consider again reviewing existing documentation on these issues, as well as advice from federal, state and county officials. Communicating with those on the frontline is going to give you the most informed look at what your city is facing, and the risks to your staff and volunteers. Those leaders may say it’s too risky right now, or may involve you as part of phased returns.

In March, the Occupational Safety and Health Administration issued an excellent guide for preparing workplaces for COVID-19. Though it came out before the peak of public awareness, its lessons are important for everyone. At the top of the list is developing an infectious disease emergency plan, in the event of an outbreak. Your station’s plans should consider and address the level of risk associated with various areas of your building and the tasks staff and volunteers perform there.

For example, a locked engineering room is unlikely to have a lot of foot traffic and volunteer presence. Your live studio will have both. Will you be open to the general public to come in? Should on-air volunteers come back all at once, or in waves? How can your station put cleaning and other safety rules in before reopening fully? How can you educate your staff and volunteers about the new normal, at least for the foreseeable future?

The Centers for Disease Control and Prevention recommends ongoing safety protocols like face masks and social distancing. It also suggests a standard for sick individuals in order to prevent the spread of the coronavirus.

In this context, your station will also want to consider the welfare of its volunteers, staff and visitors. Whether and where people came from after travel and if they are in vulnerable populations may be significant if they are coming to your station. If your station has been dependent on preproduced programming, what programming can continue to be preproduced and what needs to be live in the studio? And how can you respectfully include those volunteers who still do not feel safe or are in an at-risk group?

Even during the COVID-19 pandemic, radio has been a trusted service. So, our return to business must come with an appreciation for the faith listeners put in us. Our returns must thus come with attention, care and compassion.

The post Community Broadcaster: Now What? appeared first on Radio World.

Radio World’s “15 Things You Don’t Want to Miss” webcast is now available on demand.

In an April without an NAB Show, it’s more important than ever to stay informed about new products and technology from our industry’s leading manufacturers

RW’s core ongoing mission is to bring together buyers and sellers of specialized broadcast technology, and to help engineers and managers advance in their careers by exploring key technical and business trends.

The webcast is part of Radio World’s “Spring Show @ Home” information series, created with the idea of helping you to do your job — whether you are a user or a creator of that technology.

Hear from Paul, Marguerite and our webinar sponsors about their new offerings this spring, including key features and targeted applications; explore the trends you would have heard about at the NAB Show; and learn what our editors are hearing from the industry’s leaders about important tech developments and standards.

 

SPEAKERS

Paul McLane
Editor in Chief, Radio World

Paul is a veteran industry technology journalist and former broadcast news anchor.

Marguerite Clark
Editor in Chief, Radio World International

Born in the U.S. and based in Paris, Marguerite is a veteran industry technology journalist who has been covering issues impacting the global media sector for more than 20 years from both Italy and France.

The post Radio World “15 Things You Can’t Miss” Webcast appeared first on Radio World.

Ajit Pai

FCC Chairman Ajit Pai addressed the InterAmerican Development Bank and the International Institute of Communications Online Workshop this week.

The following are his remarks, which he titled, “Regulation in Times of Pandemics: Lessons for the Future.”

First, thank you to the IDB (Interamerican Development Bank) and the IIC (International Institute of Communications) for organizing today’s meeting and for inviting me to participate.

Thank you to Ambassador David Gross and COMTELCA Executive Secretary Allan Ruiz for running this virtual panel.

It’s a pleasure to be with you and an honor to be joined by my distinguished counterparts: Alejandra de Iturriaga, Head of Spain’s CNMC; Adolfo Cuevas Tapia, President of the IFT in Mexico; and Leonardo Euler de Morais, President of ANATEL in Brazil. I hope all of you and your families are staying safe.

We’ve all been asked to talk about our experiences in responding to the COVID-19 pandemic, and any lessons learned that could guide us in the future.

Before going any further, I think it’s important to acknowledge up front that we should approach this exercise with a proper dose of humility.

At the FCC, it has been exactly five weeks since we effectively shut down our headquarters, shifted our operations online, and made pandemic response our primary focus.

In many ways, we’re still building the plane while flying it. Recognizing that it’s hard to say anything definitive only a few weeks into a fluid situation, I’d like to walk you through the FCC’s guiding principles as we’ve approached this challenge.

Number one, set clear priorities.

There’s an old saying: if everything is a top priority, then nothing is a top priority. With limited time and capacity, we needed to make quick assessments about the most important national objectives where the FCC could make a difference.

Looking at the landscape in early March, a few things became clear. First, social distancing was going to force huge segments of our economy and daily lives to move online, making it more important than ever that Americans have Internet access. And, second, social distancing would create massive temporary job losses and furloughs, putting millions of Americans at risk of missing bill payments and having their Internet and telephone service cut off.

So, we decided that our top priority was to make sure that as many Americans as possible have Internet access and that that no American would have their Internet and voice service cut off because of the disruptions caused by the COVID-19 pandemic.

That brings me to guiding principle number two: use markets before mandates.

In times of crisis, I understand how some might be tempted to look for any lever they can find to compel private companies to carry out the government’s goals. But with the coronavirus pandemic, the FCC chose a different path.

Specifically, we called on broadband and telephone service providers to take what we call our Keep Americans Connected pledge. The pledge has three core commitments: no consumer would lose service over the next 60 days due to an inability to pay a bill because of the disruptions associated with the pandemic; no one would be charged late fees because of the pandemic; and Wi-Fi hotspots would be opened up to anyone who needs them. The response was overwhelmingly positive. More than 700 broadband and phone providers have signed the pledge, including all of the nation’s largest service providers and many of the smallest.

We also urged providers to go above and beyond the pledge, to do whatever they could to help Americans stay connected and expand connectivity. And many have. They’ve upgraded speeds at no charge, expanded low-cost programs, offered free service to low-income families and students, and donated connectivity to healthcare workers and facilities.

Some might wonder: why are these private companies acting in the public interest?

I think the biggest factor is that these decisions are made by people. And in trying times, most people want to do the right thing, not just for their company, but for their fellow citizens and for their country.

But I also think that the market creates powerful incentives for companies to do the right thing. If your company doesn’t step up for you, or even worse, engages in bad behavior, consumers will be much more likely to turn to the competition in the weeks, months, and years ahead.

I would note that we also urged broadcasters to use their platform to promote social distancing, and they have enthusiastically and voluntarily done so. They have also expanded news coverage of the COVID-19 pandemic, providing Americans with the information that they need to stay safe and healthy. And they’ve raised funds in their communities to help those in need.

In the end, I believe trusting the markets rather than solely relying on mandates resulted in more consumer-friendly policies than we would have achieved with a more heavy-handed government intervention, and I know that we were able to make these changes more quickly. I’d also argue that the general regulatory approach that we have in the United States have applied to the broadband marketplace gave us much stronger infrastructure in the first place, as it gave companies the incentives to invest in resilient, robust networks that could withstand unprecedented consumer demands.

The third principle I’d like to highlight is to use every tool in the toolkit.

None of the FCC’s programs was developed with a pandemic in mind, but all of them sure can help.

For example, telehealth has become increasingly valuable in the era of social distancing. It allows people to get medical attention while avoiding the increased risk and strains at hospitals. To promote telehealth solutions for the patients of rural hospitals and clinics, the FCC voted to make an additional $42 million immediately available through our Rural Health Care Program.

Building on this foundation, two weeks ago, the FCC established a $200 million COVID-19 Telehealth Program to help health care providers provide connected care services to patients at their homes or mobile locations in response to the pandemic. This new initiative was fully funded as part of Congress’s recent coronavirus relief legislation.

Similarly, the FCC has examined our programs to connect schools, low-income households, and individuals who are deaf or have a speech disability, and has relaxed rules to help extend service to more people during this pandemic.

Relatedly, these efforts highlight the importance of having pre-existing programs in place to close the digital divides that exist in our communities. These are the communities that are most vulnerable during emergencies, and it is much easier to scale up existing programs than start from scratch during an emergency.

That brings me to the fourth principle: During an emergency, act like it’s an emergency.

If there’s one area where bureaucracies struggle most, it’s doing anything fast. But during a pandemic, delays can be deadly. So the FCC has put a premium on making decisions as quickly as possible. We’re talking days, not months or years.

In particular, it seems like every other day, we have been granting temporary authority to wireless carriers to use additional spectrum to meet the increased demand for mobile broadband. We’ve already seen evidence that one of these waivers has helped a provider double the speeds for its 4G service in certain areas of the country.

We have also moved quickly to identify new scam robocalls and text messages offering free home testing kits, promoting bogus cures, selling health insurance, and preying on virus-related fears. We’re working to warn consumers about these schemes and how best to protect themselves.

The last principle I’ll highlight might be the most important: put your people first.

To get the policies right, you need to treat the people on your team right. The health and safety of FCC employees is paramount to me. That’s why, on March 12, I directed all FCC staff who could telework to begin working from home. For context, on March 19, California became the first state in the U.S. to issue a stay-at-home order. We know that many of our staff are home with children, so we’ve given staff 10 hours a week of leave if necessary to tend to family concerns. These decisions may seem small, but I believe they make a big difference. They’re the right things to do for our dedicated professionals who always give us everything they’ve got.

I’ll finish with something I said earlier: it may seem like a long time, but we’ve only been dealing with this issue for several weeks. There’s still much we can learn from each other. So let me just say that I look forward to hearing from everyone else and leaving this conversation armed with new ideas to better serve our fellow citizens.

The post Pai Explains Commission’s Coronavirus Philosophy appeared first on Radio World.

The author is senior operations manager for CRP Radios.

LIMA, Peru — CRP Radios is a leading radio company in Peru, the only one 100% focused on entertainment radio, with eight FM brands and two AM brands strategically segmented to connect with Peruvians. In my position I am responsible for the effective performance management of all technical activities, taking overall responsibility for engineering, IT and supply-chain performance nationwide. 

We are a customer-oriented organization, hence listeners’ and advertisers’ satisfaction is placed at the core of our technical and business decisions. Our overall strategy for the radio broadcasting environment is that it’s what comes out of the speaker that counts — the perfect mix of content and sound quality. 

The FM spectrum in Lima is a very competitive sound environment — a challenge that’s not always easy to face. Each of the eight FM brands that we manage has a different format, so that means eight different music formats focused on eight different groups of listeners. All aimed at having the best sound in the segments in which we compete.

When it comes to processing, it’s too easy to crank up the levels to be the loudest on the dial, but we know full well that that’s not what our listeners want. The Omnia.11 broadcast audio processor has proven to be a flexible device for sound-quality improvements in all our FM stations. We have been amazed at the difference a good audio-processing preset can make for a station’s flavor. We are continually aiming to create a sound that keeps listeners listening and feeling that they’ve got the best flavor of their favorite music. 

Omnia.11

This sound cannot be created in a silo, it’s an ongoing process that relies on customers’ and engineers’ feedback alike, and each step has brought us closer to that golden sound.

Omnia processing gives you the ability to craft the sound you want and contributes to bring out the most from content and create long-lasting engagement with listeners, which after all is a key part of broadcast service.

We are consistently seeking out the best-in-class platforms and support professionals. Our partnership with The Telos Alliance has proven to be powerful forthe challenge of achieving a signature sound that suits our listeners’ tastes. Great platforms are just as important as proper professional support in the operations arena, and we have received great technical assistance on every project or technical issue that we have faced over the last few years.

Having Axia consoles plus Omnia processors is the technical solution that is supporting us to be able to create our own unique style and more importantly the one that suits our listeners. During 2020 we will continue to migrate to Axia consoles and we are in the process of optimizing all our audio connections through Livewire + AES67 to create a more flexible and smarter I/O topology.

We feel that the partnership that we have built with The Telos Alliance continually contributes to our efforts to improve audience engagement and bolster ratings. 

For information, contact Cam Eicher at The Telos Alliance in Ohio at 1-216-241-7225 or visit www.telosalliance.com. 

The post User Report: CRP Radios Crafts the Perfect Flavor appeared first on Radio World.

Ad hoc planning: A white board at WAMU(FM) in the nation’s capital mirrored what was happening at many radio stations in March. Senior Director of Technology Rob Bertrand told RW the station was working to “achieve 100% virtual operation” over coming weeks. Read his interview here.

The coronavirus crisis ripped the fabric of the U.S. radio broadcast industry in March, as it did virtually all of the nation’s business sectors. 

Vague uneasiness about public health and transmission in early March changed swiftly to sweeping action that reinvented radio’s daily life a week or two later. And the situation continued to evolve daily.

For many, it was the postponement (and eventual cancellation) of the April NAB Show, first announced March 11, that brought home reality: The 2020 spring convention season would be like no other. 

This decision would have seemed controversial not long before, and it was still jarring on the day it was announced, given that the spring show hadn’t missed a year since 1945. 

But within two more days President Trump was declaring that COVID-19 constituted a national emergency. The loss of a big convention, as dramatic as it was, became just another example of how radio’s business and technical landscape was altering at breathtaking speed. 

RADIO AT ARM’S LENGTH

Virtualization became a trending topic as stations told employees they’d be working work from home for the foreseeable future. Engineers and IT staff had to move quickly to enable remote shows from living rooms of air talent without opening new cybersecurity gaps. 

“The good news is that for many stations, remote access has been in place in one form or another,” consultant Gary Kline told Radio World. “Traffic can operate remotely using VPN or other specialized remote access software. The same goes for music scheduling and even the automation/playout system. Many stations have been utilizing some form of remote voice tracking for years,” he said.

The basic elements of operating a radio cluster are routine for most stations, he said, perhaps with help from the vendors of traffic, CRM or playout systems as well as the involvement of the station engineer or IT department/contractor. 

The emotional impact of this transition, however, was another matter. For engineers, Facebook groups and social media sharing became even more important sources of information, ideas and comfort.

Meanwhile radio stations that remained “open” adopted vigorous procedures for cleaning and sharing equipment. Microphone windscreens became a hot commodity. Station visitors such as prize winners or clients were asked to stay away.

Broadcast equipment manufacturers said they were working to maintain product shipments from current inventory and to maintain remote support; but many sent team members home or, at least in one case, quietly laid off most of their staff. Many manufacturers also wondered whether their incoming component shipments would be maintained.

NAB’s PILOT innovation initiative cancelled an FM-band HD Radio field test that had been scheduled to start in March, involving Xperi and radio engineers from a number of NAB member groups.

The Society of Broadcast Engineers asked its chapter chairs to refrain from holding in-person meetings for at least two months. Instead, SBE encouraged them to “meet virtually through any capabilities you may have available to you,” according to an email shared by Chapter 1 Chair Paul Kaminski.

Numerous planned events like the annual convention of the New Jersey Broadcasters Association in June were cancelled. 

College radio station managers were faced with deciding whether and how to function when their campuses shuttered or student populations mostly went home. 

FEMA put out messaging about how the Integrated Public Alert Warning System may be used to inform, alert or warn the public, including EAS and WEA alerts. It encouraged questions via email to IPAWS@fema.dhs.gov.

Manufacturers, law firms, trade publications and other service providers scheduled virtual conferences and events either to present the content they’d planned to share at the convention, or to help clients cope with their new business reality.

#WeAreGrateful

Radio leaders celebrated the medium’s role in disseminating information. The Centers for Disease Control and Prevention upped the number of radio PSAs airing specific to COVID-19 in target markets, including Seattle, San Francisco, New York, Los Angeles and Houston. NAB said the value of airtime donated to coronavirus PSAs in about a week was equivalent to $10 million of radio and TV ad spots. 

Beasley Media Group rolled out a hashtag and PSA campaign, the #WeAreGrateful initiative, intended to thank “first responders, healthcare industry workers, retail employees, utility workers, transport drivers and others who are making a difference.” 

Dashboard radios began displaying messages from RDS feeds like “Remember to wash your hands” and “We’re all in this together.”

But some in the industry lamented recent reductions in U.S. radio air staffs — such as the big cuts by iHeartMedia in January — and questioned radio’s ability now to provide true local programming during a time of crisis.

Some observers also speculate that the impact of changes on operations and workflows will be long-term. Given that stations only recently have been allowed to run without a main studio in each city of license, one school of thought holds that this sudden growth in the use of remote broadcasting could hasten the trend away from local physical studios. 

Tell us about the impact on your own operation. Email radioworld@futurenet.com.

To read the latest articles on this topic, see www.radioworld.com/tag/coronavirus.

The post Health Crisis Challenges All of Radio appeared first on Radio World.

A conversation at the AEQ booth during last year’s NAB Show. Photo by Jim Peck

Companies that had paid to exhibit at this year’s spring NAB Show are hearing this week from the association about refunds and rollover options.

Several radio floor exhibitors confirmed that they’ve received an email from NAB, each containing the same offer: The exhibitor can choose a 66% refund now — an amount it said was “calculated after covering NAB’s expenses incurred up to the time of cancellation to plan and produce NAB Show” — or apply the full amount toward booths at the next three spring shows, with 66% applied to the 2021 convention and the balance over the next two years.

[Related: “Decision to Abort Makes for ‘Poignant Moment’ for NAB”]

The email said “additional options” are available for companies exhibiting at NAB Show New York, without giving details.

“Thank you for your patience as we worked to finalize the best possible refund options for you,” the association wrote in the email. “We remain committed to doing right by you, our industry, and all of our partners and stakeholders, especially under the current challenging circumstances. Nothing is more important or rewarding for our team than working with you to create a vibrant marketplace for the global media and entertainment industry.”

Radio World reached out to NAB for comment and will report any reply. The association recently announced plans for a virtual event, NAB Show Express, in May.

The annual convention is huge, with an estimated 1,600 companies last year. Reports in other trade press have estimated annual spring show revenue at $46 million to $48 million, based on tax documents. An NAB spokesman speaking with RW earlier this year declined to estimate the potential cost of cancelling the2020 show or to discuss any insurance arrangements, other than saying at the time that “It’s obviously a financial hit.”

The post NAB Offers Exhibitors a Partial Refund or Rollover Options appeared first on Radio World.

Major storms have caused headaches for Jefferson County’s PB Radio LLC. According to Deltaplex News, the tempest took out the radio tower for KPBA(FM) “99.3 The Beat” on April 12. The station is currently still off the air. 

Prior to this weekend’s destruction, the Pine Bluff, Ark., tower stood at 151 feet above ground level and 361 feet above sea level, according to Radio Locator. The station is licensed for an effective radiated power of 6000 Watts and a non-directional antenna. 

Under normal operation, this tower also relays the signals for KTPB(FM), KTRN(FM) and KDPX(FM), and engineers are working to adjust the STLs. 

All four affected stations are licensed to former Arkansas Gov. Mike Huckabee’s Bluff City Radio (co-owned with Paul Coates). However, Bluff City Radio entered into a local management agreement for all four stations with PB Radio LLC in April 2018, according to reporting from The Pine Bluff Commercial. 

The article also noted that PB Radio is owned by Mike and Alpha Horne; Alpha Horne died in March 2019. Prior to this investment, The Commercial says Mike Horne served as the acting manager for the stations, and before that Horne owned radio stations elsewhere in Arkansas, Oklahoma, Texas and Kansas, and also had served as the chief operating officer for the Crain Media Group.

[From 2019: Arkansas Plans New Local SBE Chapter]

As of Thursday morning, April 16, the insurance adjuster had visited the tower site, and General Manager Greg Horne confirmed in a phone call with Radio World that a tower crew would be coming out later in the week. When asked about a timeline for getting the station back on the air, Horne said, “We’re working as fast as we can” but that there is nothing concrete to report.

KTRN is now on the air, broadcasting news and weather updates, as well as other programming.

The post Strong Storm Knocks Down Arkansas Radio Tower appeared first on Radio World.

When communications attorney Robert McDowell started feeling a little under the weather last month, he chalked it up to seasonal allergies and related bronchitis and got the usual antibiotic from his primary care physician. Then his symptoms worsened.

It wasn’t seasonal allergies.

After a trip to the hospital and back home again, the former FCC commissioner was readmitted with what turned out to be COVID-19-related double pneumonia.

Throughout the arc of his escalating illness he was tweeting occasional status reports that had his many friends in Washington communications circles concerned, then emailing each other with many questions and no answers as his tweets stopped for several days. His silence was understandable in retrospect.

Still regaining his strength (he lost 12 pounds during the ordeal) and with a slight cough and what he calls a “shipwreck survivor” beard — he declined to provide photographic evidence — a gratefully recovering McDowell talked with Radio World’s sister publication Multichannel News in an exclusive interview on those harrowing times and how he eventually made it home.

In a scene straight out of a Hallmark movie, that homecoming was marked by a double rainbow (see photo), a return he credits to the prayers and support of his friends, timely Facetime telemedicine from a lifesaving doctor outside the hospital, continuity of care from another lifesaving doctor inside the hospital, and some serious self-advocacy.

Multichannel News: When did you first notice symptoms?
McDowell: It was March 14. I felt like I had my usual allergy-induced bronchitis, which I get every couple of years. I called my doctor and she put me on Azithromycin [an antibiotic] as usual. I took the normal cold decongestants.

MCN: Walk us through how this escalated from “Oh, this is seasonal allergies” to making burial arrangements.
McDowell: I felt OK, like I had bronchitis, but I was totally functional March 14 and 15. On March 16 or 17 I sprouted a mild fever, which, again, isn’t unusual when I have bronchitis. But in the back of my mind I was thinking: “I’ve been on antibiotics for three days. This shouldn’t be happening if I am on antibiotics.” But other than that I felt fine, though a little bit slowed down.

On the 17th, St. Patrick’s Day, my son reported that his friend, who had been a houseguest of ours March 6–8, had tested positive for COVID. I was grateful to him for getting tested and letting us know. He deserves a gold medal for that.

MCN: And then the light began to dawn?
McDowell: That prompted me to call my doctor, Dr. Connie Le. She’s fantastic and a hero in this whole story, big time. She saved my life.

She had me come in — it is now March 18 — and they arranged, after a lot of work over a few hours, to get me tested at an Arlington County Health Department drive-through COVID testing center. [Arlington is one of the Virginia counties with the highest incidence of COVID-19.] It was very difficult to get. It was their first day of operation. I got a throat swab like you get for a strep test.

I got more congested and an increased cough, so I Facetimed Dr. Le on March 20 — at this point we were only seeing each other via Facetime — and she saw something she didn’t like.

MCN: So, this clearly demonstrates the value of telemedicine and connectivity?
McDowell: Yes, this was the mobile internet. Thank goodness for all those spectrum auctions I helped promote.

So, Dr. Le sees something she doesn’t like on Facetime and says: “You’ve got to go to the ER.” I protested, saying “Look, I feel fine. I just have an increased cough and increased congestion.” But during the week my temperature had been starting to yo-yo from normal to 103, then back down to 99 and then 101.5, then normal again.

MCN: Were you thinking COVID-19 yet?
McDowell: Yes, but I’m thinking I don’t need hospitalization. I’m a healthy 56-year-old, I go to the gym. I run, I don’t have any of those compromising conditions. So, technically I guess I was in denial. But thankfully my doctor had an amazing ability to perceive something over Facetime. There was nothing obvious that I knew, but she saw something. Maybe it was a sixth sense.

MCN: Did she tell you what she saw?
McDowell: I didn’t ask her to try and deconstruct it because I didn’t want to bug her. I knew she had a lot of other patients. I will someday, though.

She sent me to the ER just before midnight Friday night the 20th. They took a chest X-ray and found a spot of pneumonia in my left lung. I have never had pneumonia before. And, that’s kind of serious, so you’re thinking: “I’ve got COVID-related pneumonia.” Remember I’m still not officially diagnosed because the test results aren’t back [they would ultimately confirm it was the virus]. The hospital gave me their own COVID test at that point.

So, they put me in a normal hospital room. I was not yet getting oxygen at this point.

On Sunday, March 22, the doctor in charge, they are called “hospitalists,” who I never saw or met and who did not examine me — he was keeping track of my numbers, my blood oxygen saturation level, heart rate and blood pressure —– discharged me. I was happy with that, so I didn’t resist and went home.

On Monday, March 23, I was coughing more and still having a lot of congestion. Dr. Le kept asking me [again via Facetime] if I felt short of breath. I said, “Well, I have pneumonia so there are times when I feel a little winded, but I am coughing, too, a lot, so what’s the difference?” She again saw something she REALLY didn’t like this time and so she called 911. She didn’t tell me or ask me. She just did it, then called my wife to say “be ready in two minutes.”

The amazing Fairfax County EMTs came in all their protective gear, absolutely fabulous, and put me on oxygen right away. I felt better right away. It’s amazing what a little oxygen can do. And off I go to the ER again. They take X-rays again, and I have full-blown double pneumonia and my lungs are filling with fluid. Meantime, the doctor tells my wife that I have less than a 50% chance of survival.

MCN: And did you feel like someone with less than a 50% chance of survival?
McDowell: I didn’t feel like a dying man. Thankfully I remained conscious and had my wits about me. Jennifer, my wife, probably knew more about my condition than I did at that point. But in the ER, I could see very grim looks on the faces of the doctors. There was an older doctor, a guy who had been an ER doctor his entire career and you could tell he had seen it all, and he kind of kept looking at me out of the corner of his eye as though he didn’t like what he saw, either. Then another pulmonologist came in who was very alarmed when she saw that I was on five liters of oxygen. The more oxygen you need, the less well your lungs are functioning as they should to transfer oxygen to your bloodstream.

This is where self-advocacy came into play.

MCN: Did they bring up the possibility of intubation.
McDowell: Yes, after I was out of the ER and up in my room. But while I was still in the ER, and to give you some background, in 1992 I was kicked by my horse and severely injured, rupturing my kidneys, liver and a lung. That put a hole in my lung. This is where I learned, when I was in intensive care back in 1992, that the interplay between your blood oxygen level and the amount of oxygen they are feeding you is a very key indicator of whether or not they are going to intubate you or not.

So, while I was still in the ER, I convinced the doctors to turn down my oxygen because nobody took ownership as to why I was at five liters. I said, “Well, turn me down to three and see what happens. If I turn blue, you can turn it back up,” which you can do in a second in the ER. I said I am going to try some meditation and prayer and see if I can try to keep it above 90%. It was a gamble. At first they resisted because I think I was in such a nosedive they didn’t want to take any chances. But I think I was sentient enough, and said it in a constructive, collaborative way — I wasn’t glowering at them — that they tried it. I never needed to go back up to 5 liters again, because my blood oxygen level remained above 90% [with one brief exception noted below].

To get back to your question, eventually I get to the hospital room. It’s a sealed room where you are all by yourself, right. Nobody is allowed in. Your primary care doctor is not allowed in the building. Family is not allowed in the building. I would advise people to bring your [phone] power cord so you can stay in touch.

They asked would you prefer Jello or broth? I said, “Well, I can’t have either because they are both full of MSG and I get migraines from MSG. How about something to eat like just grilled fish.” They said, “No, we need to keep you on a clear diet.” Why do you need to keep me on a clear diet? “Because the doctor is preparing to intubate you.”

That is how I found out. And that became a pivotal moment because I knew that if I was headed toward intubation, odds are — statistics are all over the place — but odds are I won’t be coming home.

MCN: How did you react?
McDowell: That was a moment for me to really kind of rally and keep my oxygen levels up. They were preparing to intubate me and preparing to wheel me up to the ICU. I think I was in a stepped-up, sort of intermediate level, not intensive care but not a regular room.

They had this sort of SWAT team of registered nurses who walked around with backpacks. I don’t know if they were defibrillators or oxygen. But once, when my blood oxygen dipped into the 80s, this big burly guy with a backpack shows up at my doorway to check on me. We had a pleasant conversation and I got my oxygen level back up then, so he was able to go away.

MCN: You said on Facebook you got the antimalaria drug that has been much in the news?
McDowell: Dr. Le was fighting for me to be put on hydroxychloroquine. The hospitalist, Dr. Borgschulte, was also seeing very positive results at the hospital when they administered the drug. I was all for it. They had not changed my medication from March 14 to March 23. I was in a nosedive. When I knew I was possibly going to be intubated, I was preparing my family for my demise and giving burial instructions. Keep in mind that my wife had been told I have a less than 50% chance of survival.

MCN: You had to do this over Facetime?
McDowell: Yes.

MCN: Not to give away the ending, but you got better.
McDowell: I think the hydrochloriquine was first administered on the 23rd. That was the only change. I had been on the same antibiotic, azithromycin, from the 14th to the 23rd, when I was given less than a 50% chance of survival. The antibiotic is meant to prevent a secondary bacterial infection. It doesn’t do anything with the virus.

MCN: What happened next?
McDowell: So, the next morning [the 24th], I woke to a very gentle yet strangely powerful finger on my forehead making the sign of the cross. So I said to the priest, “Hi, are you giving me the last rites?” He said “something like that.” It is unclear whether it was the last rites — the [Catholic] church doesn’t call it that anymore — but it was a step above the anointing of the sick. The day before I had asked for a priest, so it wasn’t completely out of the blue.

I also got a call from a priest at the Shrine of the Immaculate Conception in Washington. It turned out that former FCC commissioner Mike Copps’ wife, Beth, works there and Mike and Beth very sweetly had arranged for a priest from the shrine to call. That was incredibly thoughtful of them. Former commissioner Jonathan Adelstein also texted me to let me know he was praying for me in Hebrew.

But on the 24th, I pulled out of my nosedive and began to stabilize. I was no longer deteriorating, but I wasn’t gaining altitude either. That took a few days, which is why I was there until April 1.

Photo: Griffin McDowell

MNC: You talked in a Facebook post about a rainbow.
McDowell: I came home April 1 and my son had to help me up one flight of stairs. I had to stop three times to catch my breath. We just rebuilt our house last year and there is this suite next to my office that my wife decided was perfect for COVID isolation. So, that evening near sunset I got a call — that’s how I communicate with my family — to look out my window.

There was a quality to the sunlight that was lighting up the trees in this brilliant, color-rich fashion that I hadn’t seen before. And they said, “Look. There’s a rainbow.” I had to kind of look out the window at a steep angle, and It was a double rainbow. So my son, Griffin, went outside and took a picture.

It was really nice to see that. People can say what they want, believe or not believe whatever they want about it, but it was rather remarkable. I’ve lived on this property for 56 years and I’ve never seen anything like that before. It was very inspirational.

MCN: So, how are you now [this interview was conducted April 8] and how long will you have to self-isolate?
McDowell: I checked with my doctor and I will have to stay a few more days in solitary confinement out of an abundance of caution. [McDowell coughed as though on cue.] I still have a persistent cough, which you can hear, and the doctor says it could take 10 or 12 weeks before I feel like myself again. I do go outside once a day to stroll around, and even jogged up a steep slope only 72 hours or so after having to stop three times to climb a flight of stairs. I had to prove it to myself. I was totally gassed and my heart was pounding, but I did it. I don’t do that every day. I’m not stupid. But I do walk around every day to pick up sticks and watch the birds and try to get the lungs expanded and the heart pumping.

And I am doing a little bit of work each day [McDowell is currently a partner and co-leader of Cooley LP’s global communications practice in Washington], reviewing documents and doing conference calls. I don’t have much stamina. I get very fatigued, but that is all apparently normal. We don’t know if I have permanent lung damage. It’s a possibility, but we won’t know for weeks or months.

MNC: Have you been tested again to see if you are negative?
McDowell: No, I have to do that at some point. I am not sure exactly how that works. But I have not been tested. I want the family to get tested for the antibodies, too, because I assume everybody has the antibodies, the five of us, since we had a houseguest who was contagious and the day I first came down with symptoms they were all around me.

MCN: You had tweeted in early March about traveling to New York and eating in a favorite restaurant amid the virus “panic.” In hindsight those tweets sound like you thought the virus might not be the threat it ultimately was. Was that the case?
McDowell: I was definitely taking all the precautions that were prescribed at the time [March 8]. So, I wasn’t shaking hands, social distancing, though I don’t think they were saying six feet at that point. I knew there was some risk going to New York. I don’t know if that’s where I caught it. I did have to go through Penn Station. But, yes, in hindsight I should not have gone to New York.

MCN: What would you say to anyone now who thinks that we are overreacting to the virus?
McDowell: We’re not.

MCN: Would you have any issue with the government using your personal info to build a COVID database or tracking your movements or others as part of a mitigation effort?
McDowell: I have already arranged for all of my relevant medical information to be used for studies. It depends on what they want, but I would be happy to provide all relevant information that could be helpful. And as soon as I am healthy enough I will be donating plasma in hopes that it can actually save somebody.

MCN: Do you have any advice from your experience, other than bring the power cord to the hospital?
McDowell: You don’t know how it is going to affect you if you are exposed to it. So, on paper this should not have affected me this way — a healthy 56-year-old with no underlying conditions. There is something about my makeup. Maybe it is the Type A blood. One theory is that males with Type A are hit harder by this and have a higher mortality rate. There is some evidence showing that.

It seems as if most people aren’t horribly affected by this. But there is enough data showing that it unexpectedly hits some people you wouldn’t expect to be so vulnerable really hard, and kills them.

My other advice is for people who are symptomatic. For me there were two “cliff” days. My doctor said that day seven, after the onset of symptoms, is a cliff day, meaning that if you are still sick and notice any degradation whatsoever, however slight, in your condition, on day seven go to the hospital. For me that was true. Then day 10 was another “cliff” day.

The point being is you can think you are just weathering a tough case of the flu for a week or more when in reality what’s happening is your lungs are filling up and you can end up in a tailspin all of a sudden.

Let me say one other thing. Knowing there were hundreds of people, maybe more, praying for me, people from all faiths, gave me a sense of comfort, resolve and strength. It was emotionally overpowering. People were texting me, direct-tweeting me, calling Jennifer. So I want to thank everyone, many people I don’t even know who they are. I felt like George Bailey in “It’s a Wonderful Life.”

MCN: What are you binge watching?
McDowell: I try not to, but I did binge watch some “Twilight Zone,” the original. We’re all living in it anyway.

Social (Media) Distancing

The arc of the virus and McDowell’s journey through it to a double rainbow on the other side was reflected in his tweets, beginning March 8.

One benefit to the asymmetric fear of #coronavirus: this is a great time to travel. I’m headed to #NewYork today for business (yes, the economy is still working: 273K new jobs in Feb.!) & there are no lines at the airport. Many #fearless people working though! pic.twitter.com/EZYa1soxFG

— Robert M. McDowell (@McDowellTweet) March 8, 2020

So there’s no way to sugar coat this: my doctor had me go to the ER last, and good thing. I have mild pneumonia due to likely #COVID19 infection. Docs are giving me IV antibiotics and the aim is to not remain here long. #CarpeDiem #GodBlessAmerica 🇺🇸 #Freedom

— Robert M. McDowell (@McDowellTweet) March 21, 2020

Update: after three brutal days battling pneumonia and likely #COVID19 in the hospital, I’m being discharged to go home into isolation. Thanks for the plethora of messages – too many to respond to. I’m still quite weak and will need my sleep. Please respect that. #GodBless

— Robert M. McDowell (@McDowellTweet) March 22, 2020

I am back in the hospital with double pneumonia and likely #COVID19. Please don’t text or tweet me. Prayers welcome.

— Robert M. McDowell (@McDowellTweet) March 24, 2020

Back Home, Take Two! After being in the hospital since March 23 for the 2nd time, I’m back home – quite feeble and isolated, but home. FYI, #COVID19 almost killed me last week. You’re prayers saved my life. Thank you. I’m so #grateful.

— Robert M. McDowell (@McDowellTweet) April 1, 2020

In my ongoing #gratitude towards all who helped bring me back from the edge of my grave due to #COVID19, I’m grateful to my primary care doc, Connie Le, MD. She was a superhero, saw things other didn’t and doggedly advocated on my behalf – all remotely. Thank you, Dr. Le!

— Robert M. McDowell (@McDowellTweet) April 3, 2020

#OnThisDay in 1973 @MartyMobile stepped out onto 6th Avenue to make the world’s first public call on his new invention: the cell phone. He changed the world & brought #freedom to billions. The mobile #Internet will help bring us out of the #COVID19 crisis. Thank you, Marty!

— Robert M. McDowell (@McDowellTweet) April 3, 2020

The post Robert McDowell: A COVID-19 Survivor’s Story appeared first on Radio World.

Getty/ISerg

Maine-based communications attorney Richard “Rick” Hayes has shared a letter he sent to Sen. Susan Collins (R – Maine). In it, he urges Congress to request that the FCC suspend the collection of the 2020 mass media regulatory fees in order to help stations struggling from complications related to the COVID-19 pandemic. 

In an email to Radio World, Hayes writes, “As a communications attorney for 37 years, I have seen recessions and wars affect how radio stations operate. I’ve never witnessed anything like the almost-total business shut-down occasioned by the coronavirus. This crisis is an existential one for many broadcasters.”

Hayes hopes others in the broadcast industry will join him in contacting their representatives about this matter.

Read his letter in full below.

April 15, 2020

The Honorable Susan Collins

413 Dirksen Senate Office Building


Washington DC 20510

Dear Senator Collins,

Radio and Television stations in Maine and in all of the United States are facing extreme hardship during this virus crisis. Local radio and TV stations depend on advertising revenues in order to operate and serve their communities. With local businesses shut-down, advertising revenue has evaporated leaving many stations unable to pay their bills and retain their employees. The CARES Act provides much needed relief, especially the PPP program. Without this life-line, many stations would have signed-off the air, by now. 

I represent radio station licensees before the Federal Communications Commission with clients in most states. My clients are worried about another bill which will come due for them, in September. That bill, the annual FCC Regulatory Fee, is due to be paid in September. These fees are quite impossible for most stations to pay, given the current crisis. These fees could be the straw that breaks the camel’s back for many of them. Non-payment of these fees can and have resulted in a few stations losing their licenses. 

Annual regulatory fees are mandated by Congress, pursuant to Section 9 of the Communications Act of 1934, as amended. Section 9 requires the Commission to collect regulatory fees to recover the regulatory costs associated with its enforcement, policy and rulemaking, user information, and international activities.

These fees will be collected in September, 2020. Stations are struggling to keep the lights on and working hard to retain their employees. These stations, from Portland to Presque Isle  — as well as from Maine to Hawaii, need relief but that relief needs to come from Congress. An amendment to the Communications Act needs to be considered to eliminate the requirement to pay the 2020 regulatory fees. The relief would enable stations to continue to serve their communities, without interruption. 

For example, an AM station in Portland, Maine, would pay as much as $4800 while an FM station would pay $5,325.according to MM Docket 19-105, Report and Order and Notice of Further Proposed Rulemaking, August 27, 2019. According to that same FCC document, a tiny AM station in Presque Isle would pay $950! An FM station in the same town would be required to pay over $1,000! Many stations simply cannot afford to make these payments, this year.

Your help with this suggestion could save many stations from ceasing operation. 

Can we count on your support?

Sincerely,

Richard J. Hayes, Jr.

207-236-3333

rick@rjhayes.com

The post Hayes Urges FCC Not to Collect Mass Media Regulatory Fees This Year appeared first on Radio World.

Digital Radio Mondiale in collaboration with Asia-Pacific Broadcast Union and Arab States Broadcasting Union will jointly host a two-part interactive webinar session.

Dubbed “DRM Benefits in Times of Crisis,” the first session takes place on Thursday April 23. A second session follows on Thursday April 30. Both will begin at 4 p.m. MYT (9 a.m. BST).

Discussions will focus around DRM features, which include the Emergency Warning Functionality, monitoring map and content server programming using Journaline. They’ll also highlight the usage of DRM in public signage.

In addition, presenters will outline how it’s possible to use DRM datacasting technology in education, particularly in regions without a stable internet or television signals.

Speakers include Ruxandra Obreja, DRM chair; Alexander Zink, Fraunhofer IIs, DRM vice-chair; Yogendra Pal, chair Indian platform), Simon Keens, Ampegon; Jan Bremer, NXP; and Radu Obreja, DRM Marketing Director.

“This webinar duo is a first for us as our long and fruitful cooperation with ABU is now being enriched with that of ASBU,” said DRM Chairman, Ruxandra Obreja.

“Many people are under lockdown now so we believe a webinar provides an excellent opportunity for those interested to learn more about DRM and its advantages, beyond audio, that are particularly useful in times of crisis.”

Register here.

The post Digital Radio Mondiale Announces Webinar appeared first on Radio World.

Getty Images/monsitj

The U.S. broadcast industry, it seems, wants AM radio stations to have the option to turn on all-digital transmissions, if they wish, on a station-by-station basis.

Comments filed with the FCC by major broadcast entities generally have been supportive. This article provides a sampling, collected by Radio World. Comments to the FCC about all-digital AM (Docket MB 19-311) were due March 9. Reply comments are due April 6.

The U.S. broadcast industry, it seems, wants AM radio stations to have the option to turn on all-digital transmissions, if they wish, on a station-by-station basis.

Comments filed with the FCC by major broadcast entities generally have been supportive. This article provides a sampling, collected by Radio World. Comments to the FCC about all-digital AM (Docket MB 19-311) were due March 9. Reply comments are due April 6.

— HD Radio developer Xperi said the technology provides many benefits over traditional analog radio, including crystal clear, static-free sound, multicasting, enhanced metadata — including artist, song title, and album information — traffic services, and enhanced digital emergency alerts.

The company is offering AM stations a license to use all-digital technology in perpetuity without any initial or ongoing licensing fees. 

“Nevertheless, the cost to upgrade a station’s facilities to accommodate all-digital operations will vary by station. By providing broadcasters with the flexibility to transition if they want and when they want, however, the commission will facilitate a transition driven by market forces rather than regulatory fiat.”

Xperi said that because all-digital signals have less spectral occupancy, the potential for interference is greatly reduced as compared to hybrid mode. “Moreover, the HD Radio system was designed to operate in a mixed environment of analog, hybrid and all-digital stations, with all-digital signals designed to protect analog and core digital services within their protected contours.”

— Hubbard Radio has been testing all-digital AM broadcasting on its WWFD(AM) outside Washington, D.C., since July 2018. According to the broadcaster, the ride has been mostly a smooth one. 

Hubbard says the MA3 signal of WWFD, which operates in full-time all-digital under special temporary authority, has proven to be much more robust than the hybrid mode of HD AM broadcasting, and with improved signal coverage. The company says it has received positive feedback from listeners about the fidelity and reliability of their signal.

“In Hubbard’s experience, the data conclusively confirm that all-digital MA3 operation provides an improved, consistently high-quality listener experience, in terms of audio fidelity and signal robustness,” according to the filing.

The station, which broadcasts at 820 kHz, has seen ratings gains since launching the all-digital signal. “WWFD broadcasts an Adult Album Alternative music format. The station had no ratings in its home market of Frederick, Md., for the five years it was an analog station with that format, but now that it is operating in MA3, the station is ranked by Nielsen in the market,” it wrote.

Hubbard is using the MA3 technology to transmit auxiliary data and metadata to listeners of WWFD, it says. “The secondary and tertiary carriers of WWFD can provide stereo audio information, data services such as station logo, album artwork, and other artist experience information, as well as multicast channels.”

In addition, earlier reliability issues with the secondary and tertiary carriers on WWFD have been resolved, Hubbard said. The station fixed the issues by “installing a replacement transmitter, a Nautel NX-5, with a pulse duration modulator that runs at a sufficiently high rate to pass the secondary and tertiary carriers, allowing the full MA3 waveform to be transmitted.” 

WWFD in December tested an HD-2 multicast channel, according to Hubbard, transmitting musical track data and a station logo image as well. Future versions of enhanced EAS alerting will use the secondary and tertiary carriers to supplement the data transmitted on the Primary IBOC Data Service Logical Channel (“PIDS”) carriers.

“Hubbard believes that these continued improvements in the MA3 delivery system will mitigate any concerns about secondary and tertiary carrier issues, and that these technologies will continue to be expanded to better serve listeners,” it stated.

Hubbard believes all-digital AM technology will help WWFD compete in the dashboard of the connected car. “Trends in vehicle entertainment system receiver designs are converging on ‘tuning by visual metadata,’ where listeners select an audio program by pressing a thumbnail image of the desired program. MA3 allows AM broadcasters to have both aural and visual parity with other broadcast services in the automobile dashboard.”

In conclusion, Hubbard told the FCC the MA3 mode provides “far more manageable solutions” to any unintended interference with neighboring analog AM stations in the band when compared to the MA1 mode. In fact, WWFD “has never received any interference complaints from co-channel or adjacent channel stations,” it reported.

— National Public Radio “generally supports” the voluntary transition but believes the commission needs to go further on how it would handle interference complaints from neighboring analog stations in the band. 

About 80 AM public radio stations are affiliated with NPR or receive operational funding from the Corporation for Public Broadcasting, including WNYC(AM) in New York City. 

NPR says it has significant interest in any measures to help AM broadcasters better serve the public by improving the listening experience.  

“Facilitating the expansion of HD Radio and its additional functionality for program and public safety information and services would serve the public interest, provided the transition to all-digital HD Radio operation does not cause harmful interference,” NPR wrote. “As it has in the past, NPR supports the expansion of HD Radio, but not at the expense of current analog AM service.”

NPR goes on to note the “concerns of others in the FCC record” over the potential for interference. “NPR urges it to collaborate with industry to monitor both the progress of stations that adopt all-digital AM and the effects of such deployment on all-digital stations’ analog neighbors. 

“Second, NPR suggests that the commission consider periodically disclosing general information about the number of stations transmitting all-digital AM signals, the number and type of interference complaints it receives, and how such complaints were resolved to help stakeholders understand the full landscape,” NPR commented.

NPR acknowledges certain FCC policies might prevent it from disclosing specific facts about complaints it receives.

“Finally, NPR encourages the commission to issue a public notice on or about the first and second anniversaries of the effective date of any rules it adopts here, seeking comment on the positive and/or negative effects of any all-digital AM deployments.”

— A group of smaller-market AM owners support the idea and cautioned the commission against repeating the AM stereo situation of the 1980s.

The collection of broadcasters — in all 25 licensees — consists of groups such as East Texas Broadcasting and Georgia-Carolina Broadcasting that typically operate AM stations in smaller markets.   

The comments were submitted by attorney John Garziglia of Womble Bond Dickinson LLP. They say broadcasters can control their own destiny by deciding whether to invest in all-digital AM technology. They cite the “significant” harm to AM listenership from interference and reception issues, and the availability of higher-fidelity alternatives.

“The AM broadcasters believe that allowing for all-digital AM operations is one means by which this listener erosion may be stemmed in the future. The undersigned AM broadcasters ask the FCC to make the all-digital AM mode of broadcasting available to them to use at their option.”

The group recognizes that listenership could potentially drop since people with analog radios will be unable to receive the new signals, but they argue that it is broadcasters, not the FCC, that can best discern what mode of broadcasting is most likely to attract audiences now and in the future.

All-digital AM operation should be allowed “both day and night,” the broadcasters say. They also are asking the FCC for some flexibility to be built into the new rules: “That any decision by an AM station to operate in an all-digital mode is discretionary and reversible, so that no station is required to operate in an all-digital mode, nor is any station who chooses to do so locked into that mode of operation.”

But the broadcasters said that mistakes made during the launch of AM stereo in the mid to late 1980s should be avoided. 

“The undersigned well-remember the listener and broadcaster confusion that surrounded the failure to adopt a specific AM stereo standard some decades ago, and have no wish to foist that uncertainty once again on the public and broadcasters,” they wrote. “Therefore, the undersigned AM broadcasters fully support the FCC’s decision to reject in this proceeding any comments advocating for a different AM digital mode of broadcasting.” 

Digital Radio Mondiale has asked the FCC to allow DRM to be considered for use in the United States. The FCC has stated in a footnote to the current NPRM that it declines to reconsider the choice of IBOC HD Radio as the U.S. standard.

—The California and Missouri Broadcasters Associations urged the FCC to adopt the MA3 digital operation rules as promptly as possible. They believe that this proceeding is especially important to small towns and diverse communities where local AM remains the most relevant source of local news and information.

“AM broadcasters provide unique, community-based programming that distinguish them from other media sources in an increasingly competitive mass media market,” they stated. “Many local communities still have but one ‘community-oriented’ resource: their AM station.”

The groups also said that the MA3 mode can produce a respectable HD2 signal that has the ability to support a second local translator with a second, independent stream of programming, a benefit that Xperi has recently been emphasizing.

“A small town’s single AM station can, therefore, effectively become a second local station supporting a second FM signal, multiplying the local sources of news and entertainment,” the associations wrote. “[A]ll-digital AM technology will improve the ability of diverse communities to better receive specialized programming tailored to their needs.”

The post Broadcasters Get Behind All-Digital AM Option appeared first on Radio World.

BRUSSELS — Against a backdrop of increased competition from streaming services and declines in listening from younger audiences, an EU-funded project is working to develop new radio services.

The HRadio demo kit at IBC

HRadio — “Hybrid radio everywhere for everyone” — seeks to exploit the full potential of hybrid technology to deliver time and location-independent linear radio services.

By combining IP and broadcast signals, listeners can interact with their radio station, receive personalized content such as news and weather updates, and easily pause or substitute broadcast radio with on-demand content.

CHALLENGES

Jaco van der Bank, the project’s researcher at IMEC and the Vrije Universiteit Brussel (VUB), said there were three sets of challenges for the project to overcome.

The first was technical integration. “FM does not converse well with other media,” he explained. “Because of a lack of integration options into digital platforms, there’s a strong risk that FM radio will remain an analog island in the digital ocean of modern mobile digital systems.” Van der Bank also said the project concluded that hybrid radio depends on good and consistent metadata. “This turned out to be one of the most important challenges to solve. Without the availability of metadata, very few scenarios could be released.”

The second challenge was service harmonization, Van der Bank said. “The integration of service features in the radio world is often not satisfying. Radios are radios, and IP radios are IP radios — both are often sold together as a single device, but a real integration has never happened. Regular IP radios do not deliver the same ‘super-easy’ experience as a standard DAB/FM device, which simply plays radio after unboxing. IP radios require connections and aggregators, and permanent updates of streaming URLs for radio stations.”

Guests meet HRadio at IBC

Van der Bank believes that stations are being forced into competition with sophisticated services such as music streaming and on-demand content. “In order not to be perceived as the ‘old’ radio service, broadcasters must combine their traditional linear services together with their IP-based on-demand content in order to provide an integrated service which matches the expectations of end users.”

The hand-drawn HRadio stand at IBC in Amsterdam

The final challenge for the HRadio project was user engagement. “Radio applications on mobile platforms enable broadcasters to get in direct contact with their listeners and increase audience engagement — yet the transition into this domain is not easy,” explained van der Bank.

“Besides enabling more interactive features, such as personalization, targeted advertising, games and voting, this also opens up the new market segments and revenue models. Very few have successfully managed this level of engagement.”

SOLUTION

To overcome these challenges, the HRadio consortium created 47 different hybrid user scenarios, which were analyzed and clustered into 10 categories. From there, 29 user scenarios were ranked by both end-users and the consortium, according to what they found to be the most interesting, and the industry relevance. These were mapped onto user and technical requirements, grouped and distributed over two pilot phases.

This translated into seven products that were tested by end users on Open Mobile Radio Interface (OMRI) architecture, which integrates and harmonizes FM with streaming features using web-based DAB over IP Player.

“For the harmonization between DAB broadcast and IP signals, we achieved this with DAB over IP — this was really a challenge,” said van der Bank

HRadio now has working prototypes that it is testing with end-users in Belgium with the VRT, and in Germany with RBB. “From there we will integrate the results, learnings and feedback to fine-tune the prototype” he concluded.

“Through our commercial partner Konsole Labs, we are providing interested broadcasters a proof of concept, and started a round of limited testing with broadcasters outside the current consortium in March.”

The post HRadio Exploits Hybrid Technology for Radio appeared first on Radio World.

A new FM translator for an AM station may be on the horizon in Durham, N.C., despite concerns from another local station about interference. It’s a case that will be of interest to those paying attention to how the commission plans to handle translator interference claims under its new rules.

The petition to deny was stymied, the FCC said, by a series of incomplete claims and half-finished maps that are needed to pinpoint areas of interference.

In the fall of 2019, Radio One Licenses filed against a translator application from WDNC(AM) LLC, claiming the station would be violating FCC rules because its proposed 1 mV/m contour would overlap an area covered by Radio One’s WFXK(FM), based in Bunn, N.C.

[Read: Massachusetts FM Translator Nixed After Interference Concerns]

In the halls of the FCC, however, steps were being taken to revise the commission’s translator interference rules; and as a result, the Media Bureau would process Radio One’s petition under those new rules.

Among other things, the new rules require the petitioner to show that granting the application would be against public interest. The rules also require the petitioner to submit at least 15 valid listener complaints, create a map that plots the specific location of the alleged interference, draft a statement that the complaining station is operating within its own licensed parameters, provide proof that the station has attempted private resolution of the problem, and showcase data that demonstrates that the undesired-to-desired signal strength — at each and every listener location — exceeds certain limits.

Radio One failed to meet several of those requirements, the Media Bureau stated in its response. It failed to submit appropriate description of the alleged interference locations. Only three of the listener complaints contained a clear, concise and accurate description of the location where interference would occur.

Descriptions cannot be described as “Downtown Durham” or “near the UNC campus,” the Media Bureau said. The petitioner must instead provide a pinpoint location in specific detail — such as a cross-street or mile maker — so that the location can be properly mapped. Although Radio One did submit maps with hand- and computer-drawn marks, the mas are not signed and cannot be proven to belong to the listeners themselves. Those missing requirements include a shortfall on the minimum number of complaints, a map with the location of each alleged interference and proof that the new translator’s station signal strength would exceed proper limits.

The FCC also noted that many of the interference areas provided by Radio One are outside the 60 dBu contour of WFXK but are within the contour of the station’s sister station WFXC. Since both stations are branded as “FOXY” and both broadcast the same program, the Media Bureau wondered if there is some consumer confusion going on.

“Therefore, we direct Radio One, if it chooses to pursue any further interference claims regarding these stations, to ensure that its standardized listener complaint makes a clear distinction between these two stations,” wrote Albert Shuldiner, chief of the Audio Division within the Media Bureau, in a statement.

As a result, the Media Bureau denied the Radio One petition and moved to grant the new cross-service FM translator application to WDNC. Radio One had 30 days to revise its petition if it wishes to.

 

The post FCC Gives Green Light to Durham Translator appeared first on Radio World.

NEW Delhi, India — At a time when people are confined to their homes during the novel coronavirus pandemic lockdown, community radio stations play a vital role in spreading and advocating awareness on social distancing, sanitization, and fake news.

Alfaz-e-Mewat presenter Anuradha broadcasts in the studio

Several community radios are working tirelessly to inform the communities in their respective regions, and some are the trendsetters like one radio station, Alfaz-e-Mewat.

This community radio first started airing the awareness program in the beginning of February, before the coronavirus outbreak in India, and after many others broadcasters followed the path.

ALL WOMEN

Alfaz-e-Mewat FM’s team is made up of only women. These women are managing all their RJ’s by zoom meetings, telephone and WhatApp conversation and using the modern information technology as a tool to inform the community and share correct information via their community radio Alfaz-e-Mewat.

Director of Communication, S M Sehgal Foundation and Radio Chief Pooja Murada leads the staff. Arti Manchanda Grover, program leader routinely guides the RJ’s and presenters of the program to broadcast and writing scripts. Anuradha records programs, announcements and also writes script, etc.

A radio volunteer sanitizes the studio and epuipment

Located in in district Nuh of Haryana and part of the the Sehgal Foundation, Alfaz-e-Mewat reaches 225 villages and is playing an instrumental role in broadcasting information received from the district collector, chief medical officer, and other govt. authorities, including the entitlements of the extended schemes.

The station started a program “21 din 21 baatein” (“21 Days 21 Topics”) with a message by an expert along with a thematic poem on frequent hand washing, access to healthcare services, physical distancing, the importance of yoga, and the time for self-learning on a daily basis to spread positivity in people.

Discussions on contemporary issues, including the coronavirus outbreak, and local folk songs on social isolation are presented to listeners.

A special program, “Savdhaan,” focusing on cautioning people from believing fake news and myths about COVID-19, shares the prerequisites needed to identify the authenticity of news. The “Áaj Ka Hero” program showcases a personal account highlighting a change made in lifestyle/behavior that protects oneself and others from spreading the coronavirus.

CONNECTION

With scare and panic all around, community listeners share in daily live phone-in programs, saying that radio is their only source of information and entertainment during this period. Radio connects callers with experts via telephone. The station answers a lot of questions that the community raises — how long the lockdown is in the area and about their entitlements based on the information received from district administration and the health department.

The station also broadcasts informative jingles shared by the District General Hospital, Nuh. “Due to high illiteracy in our area, only audio can ensure effective communication,” said Fakat Hussain, RJ at Alfaz-e-Mewat.

“We review the situation daily and follow the advice of the relevant authorities. Our main focus is on providing daily updates regarding the lockdown, government initiatives, and what all essential services are available. We are regularly updating our listeners about the announcements by district administration,” added Pooja Murada, director of communications, S.M. Sehgal Foundation.

“We disseminate only official announcements and refrain from airing information related to alternate sources. Our RJs are working on rotational basis to fulfill their responsibility, and they also work from home where possible. If this had happened twenty years ago, it would have been difficult, because we didn’t have the technology we have now,” she said.

Alfaz-e-Mewat is using social media, IEC materials like posters, and the community newsletter, “Vikas Patrika,” to keep villagers informed.

 Sonia Chopra, is program leader, communications, at S.M. Sehgal Foundation, a rural development organization, registered since 1999.

The post How Community Radio Is Helping India appeared first on Radio World.

Find out about the latest audio processors from Wheatstone, Omnia, Orban, Inovonics, DEVA and JT Communications in the Buyer’s Guide section. Learn how churches and hospitals can use unlicensed transmitters to cover their parking lots. And read how volunteers from a local SBE chapter helped renew the facilities of a reading service for the blind and visually impaired.

Read it online here.

Prefer to do your reading offline? No problem! Simply click on the Issuu link, go to the left corner and choose the download button to get a PDF version.

TECHNOLOGY
“ZoneCasting Will Level the Playing Field for Radio”

On March 13, GeoBroadcast Solutions asked the FCC for a rule change to allow radio broadcasters the ability to air geo-targeted programming. The company’s chief technology officer explains why this is notable.

RADIO AT 100
Lee de Forest, Pioneer Broadcaster

This radio scientist was playing a key role years before KDKA’s historic broadcast.

HISTORY SPECIAL

• Metadata Is Both Glue & Lubrication
• Low-Power Radio in the Parking Lot
• New Gear and SBE Volunteers Boost Reading Service

The post Inside the April 15 Issue of Radio World appeared first on Radio World.

The Alabama Broadcasters Association will not hold its annual conference this August, according to an announcement from the ABA board of directors Wednesday.

The board said they expect stations will find it “difficult to commit financial resources to attending the meeting” because they will instead “be focused on economic recovery.” 

However, the ABA also took this opportunity to announce the dates and location of its 2021 event: the 75th Anniversary of the Alabama Broadcasters Association will be celebrated during the conference  Aug. 13-14, 2021, at the Ross Bridge Resort & Spa in Birmingham.

The association says it will shift resources to focus on offering more virtual training and resources. The ABA also said they want feedback from members to learn what would be helpful during this time. 

Additionally, the press release encouraged members to contact congressional representatives to lobby them to seek aid for local media outlets from President Trump. The deadline for lawmakers to sign a letter with this sentiment is Friday morning.

The post ABA Cancels Annual Conference, Shifts Funding to Virtual Resources appeared first on Radio World.

If you’re looking for new audio spots to boost morale during the pandemic, Grace Broadcast Sales has created some 30-second audio clips to address self-care during the age of coronavirus.

Grace Broadcast says these features are available as market exclusives and can be aired as standalone or sponsored content. They are the second series of these clips, the company says they added the second installment in response to station requests.

Listen to the “In This Together” demos here. 

The post Grace Broadcast Is Selling Self-Care Audio Clips appeared first on Radio World.

Synthax Inc. is kicking off a webinar series to help A/V pros stuck at home bone up on their audio networking knowledge and skills. Audio networking is part of the content.

The company is the U.S. distributor for Digigram, RME, Appsys, Ferrofish, myMix and ALVA. It says it plans to offer online learning opportunities during the normal workweek through at least the month of May. The webinars are free with registration and hosted via Zoom. 

Those who tune in to the Friday 11 a.m. (ET) session titled “Reliable Audio Over Unreliable Networks” and the 1 p.m. “Unravelling Audio Networking: Dante, AVB & MADI” webinar may be eligible for two Certified Technology Specialist RU credits.

The release quoted Synthax Director of Sales Derek Badala as saying the webinars are intended to help attendees “make most of their time and advance their knowledge of different audio networking systems and solutions as well as receive up to four CTS RU credits for some of the sessions in the process.”

Check out the Synthax webinar schedule here. 

The post Synthax Launches Webinar Series appeared first on Radio World.